December 9, 2012

An Apple, A Day


AN APPLE, A DAY

“This is the way the world ends, this is the way the world ends…”

It is peculiar, the bits of doggerel and songs that drift through your mind before you wake up in the morning or, for that matter, AFTER you wake up. It is also not particularly reassuring or even appropriate, given that the sun is trickling in through the tiny gap in your billed-as-blackout curtains and, when you open them, pouring in like a flood, revealing a glorious day.

What is also peculiar is the presence of an apple sitting on your bedside table, as you did not leave one there last night, and you live alone. Then again, you are getting older, and that certainty may not be etched in the proverbial stone.

The apple is a symbol of so many wonderful things. Good health, as it keeps the doctor away, though it might be argued that that state’s continuation may be contingent on having a doctor SOMEWHERE nearby. Adoration, as in ‘the apple of your eye’ (an expression which is odd to you, given that it suggests there is a green, yellow or red covering over that organ, a somewhat squishy interior (which is accurate, granted) and some unpleasant seeds within).

It also has more unsavoury associations. There is the Garden of Eden story (and while we may be getting ahead of ourselves here, levels of reality in which apples do not exist (or indeed, ANY kind of fruit) do not feature an endless rent-free stay in Paradise – God is far too inventive a sadistic father for THAT…).  William Tell springs to mind also, which

in turn inspires the concept of that murderous game the OTHER William played with Joan Vollmer, though that featured a water tumbler (water also is a mixed symbol, but there is not going to be enough time to address that or any other heavy-handed allusions) and also dragged in the poppy (see previous parenthesized remark). And, of course, Snow White, which is a sufficiently disturbing story to contemplate WITHOUT bringing in the poisonous fruit, given her co-habitation with a flock of diminutive bachelors. On which point, that sheen on the modern agricultural-industry-promoted apple betrays chemicals that could accumulate in your body and kill you.

But, as you reassure yourself while going through your morning ablutions, this is far too nice a day to dwell on such morbid and troubling contemplations, even if it does feature roughly eight hours of soul-destroying data entry ahead of you.

While you debate between five identical shirts, twelve black pants and six pairs of wingtips (black), the mysterious observer of your banal rituals has time to look away and consider a few things.

As was observed by HG Wells, man is not alone in the universe. However, that only goes so far – in fact, the UNIVERSE is not alone in the universe. There are, in fact, multiplicities of universes, some of which feature realities that even the most inventive or substance-abusing writer could not envision.

For example, peel away just a few layers of the cosmic onion and a world is discovered in which you did not wake up this morning. No, not in that sense, though there are more than a few billion of THOSE as well. Reassure yourself that it simply means the local equivalent of an alarm clock did not go off, and you continued on dreaming your empty life away. In many ways, that is more fortunate, though not for that version of you’s employment. As to those other billions, we will leave it to you to decide, in the time that remains, whether THAT would have been preferable.

And, yes, as has been noted earlier, there are planes of existence on which apples do not exist. This did not always prevent the subsequent events, as the mysterious force (call it God, fate or historical determinism – under the circumstances, it hardly matters) had at least 109 alternate plans for each level, with some being entirely unique to a given alternative, such as the one involving…but there are no terms for it on the world you occupy, so never mind.

But now you are ready to leave, or at least you have arbitrarily determined there is nothing else to keep you here, since you had no opportunity to get food last night
before you had to hurry home to watch television, so you will have to grab something on your way to work. At least you have an apple, regarding which you bury your vague presentiments of worry and snatch up to take with you.

In case you are curious, this is, in fact, plan #109, as you have proven remarkably resistant and/or oblivious to earlier attempts involving automotive system failures, chemical spills at work, fires that incorporated plastics and other toxic-fume-producing  substances and even minor incidents of psychotic breaks from reality. There is something to be said for single-minded determination to get to work and to continue the routines of your life, though we who are recording these events in the aftermath are not certain what it is.

In any case, your car started without incident, as even the vaguely gremlin-like being who is the chief executive officer of your reality does not care to repeat his methods of mischief, particularly given the previous failures and the remarkable resilience you have demonstrated by joining car pools, using public transit, hauling out a dusty bicycle (whose chain perversely refused to break, fall off or jam, despite the best efforts of junior and senior programmers alike in, shall we say, God’s employ) or, on another glorious though less ominous day, walking the roughly thirty-seven minutes to your dark satanic mill.

Fortunately, the fact that your coffee cup holder was occupied by an enormous carafe of foul stimulant, left over from the previous day, and your coin receptacle was, unimaginatively, filled with money, toll chits and even video game tokens, a testimony to a somewhat cheerful if vaguely immature clinging to the vestiges of your youth, meant that you had no choice but to put the apple on the narrow dashboard, as a particularly junior agent in God’s employ had projected that you would, ensuring himself a five-minute break from playing harp and praising the Eternal, a few centuries down the line.

As you turned onto Wormwood Drive (yes, heavy-handed, we realize, but we are merely recorders here, not editors or cynical critics), the apple rolled off the dashboard and fell neatly under the braking device on your car. You failed to notice this, distracted as you were by the handsome bearded gentleman occupying the car next to you (we do not judge here, preferring to leave this to the cruel and unforgiving gremlin aforementioned).

At this same moment, a few blocks away, an employee of the local military base, who has been charged with the awesome, if of late dull, responsibility of possessing the codes to launch or abort the nuclear missiles that form the main part of your MAD détente (we believe this stood for ‘mutually assured destruction’, and is a sign of either obliviousness or exceedingly black humour as acronyms go), is struggling with getting the lid off his own container of foul stimulant, though his is in flimsy cardboard rather than the thin metal comprising yours. Though he routinely fails to slow at the yellow light or even stop for the red at the intersection you are both approaching, this has typically resulted only in honking horns and digital demonstrations in the past. It should be added that that will NOT be the case today, and that, in any case, discussions of the past, present or future are about to be moot.

Approximately coinciding with this, two other improbable events have occurred. The OTHER person who has the codes has just discovered that her husband, in addition to leaving her, has taken the atypical-for-his-gender step of shredding all of the clothes in her bedroom closet (and, as it happens, also taking her cell phone, which will have a fairly obvious consequence in a short time), leaving her with literally nothing to wear to work, thus compelling her to call in and inform her employer that she will be late. She then starts to call up her few friends who will admit to having the same dress size as her, in hopes of borrowing something not too tasteless or vulgar at least long enough to get to the store and replace some crucial garments, and finally succeeds at this, leaving the house in her full-length mink and winter boots…but this is outside the narrative of the story, which is about to end anyway.

Meanwhile, a mouse that has quietly, if with some potential for peril, lived inside the launching apparatus at the base has chosen THIS day to nibble at a few critical wires. This ends its life, which would have been ended shortly anyway, but it also has the consequence that even the oh-my-god-we-can’t-find-the-codes-we-must-shut-this-thing-down-COLD backup system will be inaccessible. Its dying convulsions also succeed in starting the launch sequence. As we have said before, God has his sadistic and heavy-handed moments.

You succeed in spotting the car going through the intersection, as you are a cautious driver, but your attempt at braking is thwarted by the fruit wedged under the pedal. In an
understandable moment of panic, assisted by tweaks from Beyond, you inadvertently push down both the gas pedal and the accelerator, resulting in a horrific crash, an explosion and the end of both your existence and that of the code-holder. These, of course, are not the only deaths that day.

Since God (for lack of a better term) is able to think AND act globally, similar events of equally improbable coincidence occur in the part of the world with which you are currently at eternal war, which would be known as the Middle East in your particular subset of the universe. Incredible as it may seem, on another layer of the cosmic onion, your nation state is engaged in a ceaseless ideological conflict with the region corresponding to your Liechtenstein, which managed to acquire a nuclear bomb due to its failing to give women the vote and thus having no voice of reason or intelligence to stop the madness (we are editorializing, we know, but it hardly matters now that all ideologies are about to be proven either false or true). The
leaders of the United Arab Emirates deeply, if briefly, rue their decision to switch their communications links with missile control to a new satellite in the same week as massive sun spot activity is reported. In that other reality, otherwise so similar to yours, women have the ultimate ‘I told you so’ and ‘If we ruled the world, we’d make a much better job of it’ lecturing opportunity, though they of course have to speak quickly, which is not a problem to the half of the human species that some anthropologists believe invented language.

In case you feel you really must know, some people ARE, in fact, ‘called up’ before the end of life on Earths. They are not the people you might expect, though, and the roster is not dependent upon donations to badly toupeed religionists or positions of worldly Godliness. And, as you will discover soon enough, while there IS bodily resurrection in the next world, it is run through a randomizer. This has some very distasteful consequences, but it was felt it was both the fairest and certainly the most fun way to handle it. 

You will have eternity to mull over why God ended all existence throughout the Multiplicities. There were any number of valid reasons and a corresponding number of invalid ones. Some of them conflict with one another, but this is only to be expected in a being who is three-in-one, or possibly even four.


The Gnostics may well have been right, and the Latter Day Saints were surprisingly close.  Again, you will find out.

As you settle into a new and not necessarily any more meaningful state of what you stubbornly insist on calling ‘life’, we will fade on a bit of doggerel, with a twist, which is red-shifting its way across the final dying embers of the universes to you.


Yes, the Multiplicities do have a physical end point, where you are right now. You are not entirely surprised to discover that everyone perceives it differently. Some see Mecca; some Shangri-La; some Valhalla; an unfortunate few see their mother-in-law’s house at Thanksgiving; or Toronto during an unpleasant world summit and/or garbage strike, these last two having as a common thread the accumulation of trash and an unpleasant odour for all concerned.

As to what you see, we shall give you the illusion of privacy and draw a discreet veil – but it is certainly more pleasant, at least superficially, than the place you spent most of your life.


“Not with a whimper, but with a bang.”

April 8, 2012

Evaporators LP review


Various Artists, Nardwuar the Human Serviette and the Evaporators Present: Busy Doing Nothing! LP (Mint Records/Nardwuar Records)


Nardwuar and his gang have been around for more than twenty years, compiling both wonderful collections of others’ material and original material. This record basically cuts it down the middle, with 8 new selections by The Evaporators, 4 cover tunes of classic early Canadian punk-pop and an interview with Frank Ferdinand (the Scottish band, not the scapegoat/excuse for World War I), all in a hair under half-an-hour (which makes this a little on the short side for a compilation, but about average for an Evaporators LP).

The covers would be: England’s The Cribs covering early Canadian girl band The Dishrags’ “Death In The Family” (a record which allegedly came out on the British arm of RCA, though there are some doubts about this), in a short energetic burst fairly similar to the original, if not quite as hooky; Kate Nash doing cub’s “My Chinchilla” with quirky preciousness, except for the final minute or so when she rocks it; Franz Ferdinand xeroxing The Pointed Sticks’ “The Real Thing”; and Fuad and the Feztones’ perpetrating frat-rock wonderfulness on The Evaporators’ “Welcome To My Castle”, complete with saxophone and growly vocals.

On the subject of vocals that are most assuredly NOT growly, we have now arrived at the geeky garage-pop-rock of The Evaporators. Nardwuar can be an acquired taste, as both singer and personality; a friend tells me that he deliberately chose NOT to volunteer at a Vancouver radio station when he learned that Nardwuar worked there. Ooooh, burn…

Let’s start with the material where they are augmented by special guests. Andrew WK whips out his organ and plays with his ivory on “I Hate Being Late When I’m Early” and “Bring It On Home”, the latter also featuring the sultry contributions of Jill Barber. He also sings on the former, though only occasionally – it has a sort of boogie-metal-punk feel to me, though still nerdy (which makes sense, because I remember what the FANS of metal I knew in high school looked like… :) ). “Bring It On Home” is a cover of a song by a largely forgotten songwriter named Doug Rutledge from British Columbia, and is vaguely rootsy/country/50s rock and roll. Nardwuar manages to shed some of the acquired-taste squeak and adenoidal delivery he typically provides, though he is sort of speak-singing through most of it, until the silly ad lib outro – though at least Nardwuar rightfully thanks Andrew for his awesome keys-pounding. “Hot Dog High” which features Megan Barnes’ enthusiastic vocalizing, as well as Xaul Xan and Sage Francis rapping (I’m reasonably sure that’s a first on an Evaporators disc), is a chugging Ramonesy song whose title pretty well describes the subject, and to which I can only say that I hope it is possible to take some extra credits at Cod Collegiate or Salad Secondary.

“Milkshake Murder” is a surprisingly catchy, speedy number with a guest saxophone cameo by someone named Corinne Mundell, which is based on a real case in Canada from 1965, in which someone from Vancouver killed his wife with arsenic milkshakes and tried to use as his alibi the fact that he was up on a billboard to promote a car dealership at the time. The title track is sort of average garage-punk-pop, though still pleasant. “Bunk” has a theme much like “Rock ‘n’ Roll Radio” or “We Want The Airwaves”, though in this case more kvetching about the ‘news’ and how it’s generally telling the ruling class side of things. It has a great bass solo and super-bubblegum-fun organ, though I wanted it to be so much longer! “Pig War” is also based on an obscure Canadian-related event, but it’s over so quickly that I don’t feel like sharing the story (really, neither does the song), except that it involved a border dispute arising from a pig being shot. “All The Bad Girls” sounds sort of like The Cars covering Rockpile, if you can imagine that; in short, somewhat twangy/basic rock with a deadpan vocal style; at least until the shout-it-out last few seconds.

Nardwuar has mellowed a bit in his interview style, or perhaps it’s because the rise of so many GENUINELY hostile and VICIOUSLY sarcastic radio personalities has made him seem kinder in comparison. In any case, he wraps up this disc with a fun and informative interview with Franz Ferdinand. Though I haven’t really followed them since “Take Me Out” and don’t feel compelled to after this little taster, they do seem like nice enough folks and play along engagingly with the wacky host.

Oh, I almost forgot – this record comes with, in addition to the download card (in the past, Nardwuar comps came with the actual CD inside the LP – when Skookum Chief came out, you actually HAD to buy the LP to get the CD…), a Nardwuar vs. Bev Davies calendar that has photos and stories about various rock stars the latter photographed, in the form of a 2013 calendar (there’s a single page with just calendar grids for May 2012 to December 2012). This goes a long way towards augmenting the semi-skimpy length of the record, though the record is pretty fun as well while it lasts.

April 5, 2012

Grass Widow/Raincoats gig review

AT THE ROCK SHOW




GRASS WIDOW/RAINCOATS, Wrongbar, Toronto, Ontario, 9/23/11

Initially, there was confusion about this gig, both my fault and, to some extent, due to how the event was initially advertised on-line. To make a long story short (it is almost always too late to invoke that by the time you’ve said it), it developed that there were two shows that same evening (which was not clear when I bought my tickets), and it was originally billed as (that act) and The Raincoats, so I bought the tickets for (that act), thinking it was her and then The Raincoats, only to discover when things were updated that I had purchased for the wrong programme. After some frantic negotiations and communications with both Shirley (The Raincoats’ manager) and the event organizer, the boyfriend and I were on the guest list, so we got in cheaper than would normally have been the case, as the tickets for the other act were a smidgen less pricey. (By the way, the other act was Marnie Stern, an excellent guitarist – I would go see her on some other occasion, and would have loved to have seen her if she had been on the bill with The Raincoats, but I wanted to see the band, as there could not be that many more opportunities and, as it develops, they revealed during the intro that they had NEVER played in Canada before).


There was a very small group of people waiting at the door when we arrived at the designated time (it may not be very rock ‘n’ roll of me, but I foolishly still think the stated kickoff is when things will start), and the door was locked, which caused us some concern. A couple of employees who were going in were unclear when it was starting, though one thought the door would open in about twenty minutes. When that time arrived, we timidly knocked, and a woman came to the door and said she also was not sure when it was going to commence. That woman was, in fact, Ana Da Silva from the band! (It was both a thrill to speak to her, however briefly, and somewhat ominous, given that the GROUP was not sure when it was going to launch).


When we entered, I sincerely wish I’d had my video camera at the ready, as the band were all gathered over in a corner and Ana and Gina were doing dance moves to the Motown blasting from the jukebox. Candid YouTube moments, foiled again…


I’m afraid I hit the merch table in advance of the show, while I could still hear (which is when I had my second conversation with Ana, albeit in terms of her asking me to move my big bearish butt (no, not in those words) so she could get a snapshot of the stuff). I got a t-shirt of The Raincoats (I was glad to see that they actually had one in my size, though the band that recorded ‘Odyshape’, with its critical remarks about size discrimination, would have been ill-served had they NOT), as well as a 45 and a cassette (yes, a cassette) by the opening band, Grass Widow.


On the subject of Grass Widow – they are a San Francisco female trio, consisting of Hannah (bass/vocals), Raven (guitar/vocals) and Lillian (drums/vocals), who perform very intricate and rhythmically tricky/elastic songs, in a mode somewhere between Erase Errata (yes, I know it’s lazy to compare a female band from San Francisco to ANOTHER female troupe from the same place), Throwing Muses and, well, The Raincoats, which made them an ideal opening act.


Because of the interwoven nature of their vocals and arrangements, they were a bit ill-served by a murky mix, but it got better (because it gets better) as time went on, and they were an original and intriguing ensemble whose albums I feel obliged to acquire over time (their 45 and their cassette were both excellent, arty affairs, full of interesting lyrics, chorale voices and sharp angles).


And The Raincoats? Oh, my goddess, where do I begin? Ana (guitar/bass/not functioning sampler/vocals), Gina (bass/guitar/vocals), Anne (violin/guitar/bass/vocals) and either Vice Cooler or Jean-Marc Butty on drums (they didn’t introduce him and my research has not found pictures identifying who he is/was) took to the stage with ferocity and none of the alleged shambling and uncertainty I have heard of their shows. Gina, who had swept into the bar looking rather damp and wind-blown (yes, it was pouring the day they played…imagine the aptness), was looking ferocious and fabulous now, and Ana had the energy and inventiveness often attributed to women half her age, while Anne and the drummer were perky and on top of their game. They played the hell out of a wide swath of their material, even including b-sides such as “I Keep Walking” (more baleful and Velvets-touched than the studio take), as-yet-unrecorded gems like “The Feminist Song” and my personal faves “Don’t Be Mean” and “Babydog”, along with absolutely required numbers such as “Fairytale In The Supermarket” and “No Side”. My only quibble is that they didn’t do “Lola”, but one can’t do EVERYTHING.


And before we knew it, it was over. The boyfriend and I walked back to the hotel, on a now clear and not overly cool night, though I rather suspect I floated on a wave of satisfaction and glee. :)


December 14, 2011

December 5, 2011

THE YOUNG WIDOWER



The young widower arises

From the nearly flat

Oceanic expanse of blue and white sheets

And wishes for roiling, as they had been before.



The young widower arises

Cold feet to cold kitchen

And takes down a cup, one of many

Matched by color, in one of two names.



The young widower arises

To claim the daily paper

Marking another passage of the moon through night

And the haughty arrival of another day.



The young widower peruses

The deaths and the courts

And also births and weddings, faint smile

At the easy procession of unquestioned routine.



The young widower reflects

On their meeting in college

In knowledge that, had they known the brevity,

They still would have artfully managed to live.


The young widower recalls

The seeking of blessing

From God and humanity, constructed in stone,

A simple marker in a weeded field.



The young widower sighs

At the mad whirl of faces,

Dancing in a space paid for dearly

And held dearly in memory ‘gainst the cold grip of earth.



The young widower glances

At the gleaming container

Hard fought for the right to have, burn and cherish

So many broken bones now brought to ash.



The young widower turns

To go forth in the world

that anonymously killed one thought anonymously loved…

But he proclaims their names in love.



December 5, 2011


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